Dans ce numéro :
Maurizia Calusio | Valentina Noseda| Elda Garetto e Sara Mazzucchelli | Ornella Discacciati | Adriano Dell’Asta | Giuseppe Ghini | Sergio Rapetti
Elda Garetto e Sara Mazzucchelli | Le prime edizioni italiane di Solženicyn nei documenti degli archivi editoriali
The essay presents the results of a research carried out at Mondadori, Saggiatore and Einaudi archives on the first editions of Solženicyn’s novels during the 60-ies. The analysis of the correspondences amongst Italian publishers, literary critics, representatives of literary agencies and translators aims at illustrating an emblematic case study about the dissemination of the Soviet dissident literature in Italy.
Keywords: Solzhenitsyn, Italian publishing houses, archives, translation studies
The paper retraces the debate, in the periodicals of the Italian Left, between the poets Franco Fortini and Giovanni Giudici, following the publication of One day in the life of Ivan Denisovič and Matryona’s House, and in which the Slavist Vittorio Strada took part. This lively dialogue with three voices, very different from each other although all with a Marxist imprint, is undoubtedly the most remarkable outcome of the reading of Aleksandr Solženicyn in Italy, when he was still considered a socialist and a Soviet author.
Keywords: Aleksandr Solzhenitsyn, Franco Fortini, Giovanni Giudici, Vittorio Strada, reception studies, One day in the life of Ivan Denisovič
The article contextualizes the publication of the story by A. Solzhenitsyn The House of Matrëna focusing on affinities and differences with the works of the so-called “village prose”. After reconstructing the evolution of the “peasant prose” as a specific phenomenon that emerged in the second half of the 1950s, in the article are identified the reasons that prevent Solženicyn’s story from being included in the derevenshchiki works.
Keywords: Solzhenitsyn, Thaw’s Literature, Village prose, Literary controversies, Socialist Realism
The publication of The Gulag Archipelago, despite its clearly political nature, made it possible to overcome a reductively political dimension regarding totalitarianism. The case of France was particularly significant in this sense also thanks to the interpretation of C. Lefort: once the logic of propaganda had been overcome and Solzhenitsyn’s work had been returned to literature, the essence of ideology was rediscovered as a form of thought that first and foremost denied the human factor.
Keywords: Solzhenitsyn, Lefort, totalitarianism, ideology, literature
The essay deals with the influence of the Russian writer Solzhenitsyn on the novelist and painter Michael O’Brien. The influence is to be traced above all in the prophetic mission of the writer, which is to be in service to the truth. Secondly the relation between the two authors is analysed through the quotations from Solzhenitsyn in the essayistic and literary work by Michael O’Brien. That analysis is focused on the constant presence of Cancer Ward within The father’s tale, where the characters and the stories told by Solzhenitsyn become constant element of comparison between the two.
Keywords: Michael D. O’Brien, Aleksandr Solzhenitsyn, Solzhenitsyn’s legacy
The essay describes Solzhenitsyn’s journey through his searing debut novel in 1962, accounting horrific events of war, imprisonment and illness, which matured him as a person and a writer. This led him to discover his people and culture, and to devote his life and work to them, even after his expulsion and during his exile. The essay follows these developments with particular regard to the “truthful word”, which Solzhenitsyn tried to abide to in his literary work and life. He also proposed this principle upon his return to Russia in 1994 to aid the moral healing of the “new Russia” that had gone through the disaster of the Soviet era. The whole story is recalled by an Italian translator who has translated many of his works over the last forty years.
Keywords: Aleksandr Solzhenitsyn, literary translation, gulag literature
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In this Issue:
Francesco Rognoni| Marco Canani and Valentina Varinelli | Kelvin Everest | Will Bowers | Carla Pomarè | Marco Canani | Alberto Bentoglio | Anna Anselmo | Antonella Braida | Lilla Maria Crisafulli |Michael Rossington
Marco Canani and Valentina Varinelli | Introduction Books, Ballets, and Puppets: The Shelleys’ Milanese Experience
Kelvin Everest (University of Liverpool) | “Newly Unfrozen Senses and Imagination”: Shelley’s Translation of the Symposium and His Development as a Writer in Italy
Shelley’s major effort during his first months in Italy in 1818 was a rapid and brilliant translation of Plato’s Symposium. A translation of that particular work, with its overt and central celebration of homosexuality, was, in an English context, a daring and potentially dangerous undertaking at that time. Shelley’s work on the translation had two highly significant effects. Firstly it brought him up against the limits of freedom in personal conduct and intellectual experiment, given the legal and cultural realities of his native social world. Thereafter, Shelley’s behaviour undergoes a tempered maturation which becomes steadily more noticeable through the four years of his Italian exile. Secondly, the Platonic text exposed Shelley to a sophisticated dialogic and dramatic form which makes an immediate and transformative impact on his major poems of the Italian period. The translation of the Symposium thus plays a pivotal role in the development of Shelley’s mature style, opening the way to his emergence as a major poet.
Keywords: Percy Bysshe Shelley, Symposium, translation, love, drama
Shelley read Schlegel’s lectures Über dramatische Kunst und Literatur on his journey to Italy in 1818, and they provided both a spur and a foil to his dramatic thought, and specifically to his ideas on Greek drama. By placing Shelley’s reading of Schlegel at his crossing of the Alps and his time in Milan, we can reconsider his labour in the spring and summer of 1818, a strangely unproductive time for the poet, which only produced a few lyrics, some scenes for the incomplete play Tasso, Mazenghi, and the translation of Euripides’ Cyclops, but which also contained what Kelvin Everest has called a “period of sustained immersion in Greek” that laid the foundation for Prometheus Unbound and the “Discourse on the Manners of the Ancient Greeks”.
Keywords: Percy Bysshe Shelley, Schlegel, translation, drama, Euripides
Carla Pomarè (Università degli Studi del Piemonte Orientale) | Notes on the Shelleys’ North-Western Passage to Italy
This paper deals with the Shelleys’ first physical impact with Italy, focussing on their experience of the borders they crossed when entering the peninsula through Mont Cenis. Their mostly negative reaction to the Kingdom of Sardinia, which in the course of the century would lead the process of Italian unification, invites reflection on how the reality of border controls and territorial fragmentation interacted with Romantic idealized notions of the Italian state, which as yet had no actual political existence.
Keywords: Shelley, Sabaudian states, borders, Simonde de Sismondi, Mont Cenis
Marco Canani (Università degli Studi di Milano) | Percy Bysshe Shelley, within “the Veins” of “Fair Milan”. A Map of the Poet’s Contacts and Places in April 1818
This article adopts a historical and biographical perspective in order to investigate Percy Bysshe Shelley’s experience of Milan in April 1818. To this end, I trace the Shelleys’ arrival in the city and focus on the places they visited, their contacts, and the encounters they made so as to reconstruct the poet’s “Milanese circle”. Subsequently, I focus on “Ode to Naples” and Hellas and argue that Shelley’s references to the medieval and early modern history of the city should be seen as transhistorical allusions to the political contingency of the Lombardo-Venetian capital after the Hapsburg restoration.
Keywords: Percy Bysshe Shelley, Mary Shelley, Anglo-Italian Studies, British Romanticism, Risorgimento
Valentina Varinelli (Newcastle University)| Return to Paradise: Lake Como in the Works of Mary Shelley
This article deals with Mary Shelley’s imaginary and actual revisiting of Lake Como in her writings following her return to England from Italy in 1823. First the Shelleys’ weekend escape to Como in April 1818 is retraced through their contemporary accounts in their journals and letters. I then look at the ways in which recollections of this visit are incorporated into Mary Shelley’s fictional and non-fictional works, and I compare them to the narratives of her subsequent two visits to Lake Como.
Keywords: Mary Shelley, Lake Como, Frankenstein, Rambles in Germany and Italy, Italian language
The article describes the theatrical life and the shows performed in Milan in 1818. In the first decades of the nineteenth century, Milan was the centre of Italian musical and theatrical life. When Percy and Mary Shelley resided in the city (April 1818) they went to the Teatro alla Scala, the most important theatre in Milan, to attend operas and ballets. They also visited the Gerolamo theatre, a stage dedicated to puppet shows, much appreciated by the Milanese public.
Keywords: spettacolo, Milano, teatro, danza, melodramma
Anna Anselmo (Università degli Studi di Milano) | “In the evening, go to the Theatre of the Marionetti”. Claire Clairmont, the Shelleys, and Gerolamo de la Crina
The Shelley party not only went to La Scala, but also enjoyed a performance at Milan’s only puppet theatre, Teatro Fiando. This article provides the title of this puppet show and offers evidence of the play-text, one version of which is found in the archives of the world-famous Milan-based puppeteers, the Colla family. Furthermore, the article speculates as to the Shelley party’s peculiar and considerably specific interest in puppet shows, which is read as a sign of potential awareness of the political import of and critique implicit in them, and especially in the history of the puppet they saw on stage, Gerolamo, as well as evidence of a sustained interest in movement, gesture, and the body.
Keywords: Claire Clairmont, Shelley, puppetry, puppet theatre, Teatro Fiando
Antonella Braida (Université de Lorraine) | Mary Shelley in Italy: Reading Dante and the Creation of an Anglo-Italian Identity
This article analyses Mary Shelley’s textual and critical approach to Dante. It focuses on her sources in Mme de Staël’s, J.C.L. Simonde de Sismondi’s, August Schlegel’s and Henry Francis Cary’s critical readings of Dante. By analysing Mary Shelley’s use of Dante in Rambles, it will be shown that Mary Shelley became a mediator and introduced contemporary Italian political readings of his work and anticipated the Victorian interest in Dante’s Vita Nuova.
Keywords: Mary Shelley, Rambles in Germany and Italy, Dante, orality, Italian language learning
Lilla Maria Crisafulli (Università di Bologna) | Poetry and Metonymy: Percy Bysshe Shelley’s Poetical Revolution
In this essay I would like to argue that, while in Italy, Percy Bysshe Shelley not only reached his poetic maturity, but also expanded his aesthetic theory in such a way that it might constitute a sort of bridge system, able to reconcile Shelley’s empiricism with his idealism, together with his political and poetic goals. I believe that the aim of this theory, which can be described as holistic, was to fill the gap between art and society in an era of mercantilist ruthlessness and philosophical pessimism.
Keywords: Percy Bysshe Shelley, metonymy, aesthetics, poetic language
Michael Rossington (Newcastle University) | Some Lifetime Editions of Shelley Owned by Richard Monckton Milnes
Richard Monckton Milnes is known to students of English Romanticism mainly as editor of Life, Letters, and Literary Remains, of John Keats, 2 vols (London: Edward Moxon, 1858). This article addresses Milnes’ interest in Percy Bysshe Shelley with reference to three lifetime editions of the poet that he owned. Two are now in the Library of Trinity College, Cambridge, the third in Princeton University Library. All contained between their covers Shelley’s autograph and were displayed at meetings of the Philobiblon Society in the 1850s and 1860s.
Keywords: Percy Bysshe Shelley, Richard Monckton Milnes, bibliography, history of the book, manuscripts
It is possible to download the entire journal as PDF file by clicking here, as ePub file by clicking here and also as mobi file (Kindle format) by clicking here.
In this Issue:
Sonia Bailini | Cristiano Furiassi | Maurizia Calusio | Silvia Gilardoni | Elena Bulygina | Tat’jana Tripol’skaja | Anna Krasnikova | Valentina Noseda | Natalja Stoyanova | Sarah Bigi | Nazarena Fazzari | Chiara Piccinini | Claudia Alborghetti | Laura Anelli | Gloria Colombo | Piet van de Craen
Sonia Bailini (Università Cattolica del Sacro Cuore – Milano) | L’umorismo nella traduzione in spagnolo de Il gioco delle tre carte di Marco Malvaldi
The aim of this paper is to observe how the humorous effect has been translated in the Spanish version of the novel Il gioco delle tre carte (2008) by Marco Malvaldi. The article is organised in three parts: in the first one, the theoretical framework for the translation of humour is outlined, in the second one the types of humour that characterize Malvaldi’s texts are illustrated and in the third one the translation techniques used to maintain the humorous effect of the original text are analysed.
Keywords: Humour translation, Italian-Spanish translation, Marco Malvaldi
Cristiano Furiassi (Università degli Studi di Torino) | “Drink wine, not labels”: A lexicologist’s insight into ‘Super Tuscans’
Following an overview of Super Tuscan wines, this study aims at providing a definition of the pseudo-Anglicism ‘Super Tuscan’. In addition, by resorting to lexicographic and corpus data, the frequency of ‘Super Tuscan’ is measured, its spelling variants are traced and the date of first attestation in both Italian and English is determined. Finally, this article considers whether the term ‘Super Tuscan’ might have turned, via de-terminologization, into a word also known and used by non-connoisseurs.
Keywords: corpora, dictionaries, false Anglicisms, ‘Super Tuscan’, wine terminology
Elena Bulygina – Tat’jana Tripol’skaja (Novosibirskij Gosudarstvennyj Pedagogičeskij Universitet)| Толковый словарь как манипулятивный текст
The purpose of the article is to study the Russian explanatory dictionaries of the twentieth cen- tury as a mechanism for reflecting and forming a picture of the world, ideologically verified and demanded by the country’s political power. Reflection of the political realities of the Soviet era, axiological accents, the hard border between “their” and “alien” – this is an incomplete list of tasks, the solution of which was assigned to dictionaries. Distortion of information is carried out in the following ways; 1) the concealment of individual facts; 2) the regrouping of informa- tion in order of importance, violating the logic and history of language development; 3) silence of some facts and the nomination of others; 4) repeated repetitions of ideological clichés; 5) fragmentation, that is, the representation of a fragment taken out of context that distorts the content of the whole.
Keywords: lexicography, manipulation, ideological component, evaluation semantics
Anna Krasnikova (Università Cattolica del Sacro Cuore)| La manipolazione nell’editoria sovietica: il caso di Il’ja Sel’vinskij
The paper categorizes the most common forms of manipulation in Soviet publishing and presents a new material: the biography and the works of Ilya Selvinsky, a poet who systematically modified his already published texts, the fact that greatly and negatively influenced his literary destiny.
Keywords: manipulation in Soviet publishing, Ilya Selvinsky, Soviet literature, editors and editing, rewriting
Valentina Noseda (Università Cattolica del Sacro Cuore) | Processi manipolativi nella Russia post-sovietica: verso la creazione di una nuova immagine del nemico
Like in the past, the image of the enemy is used in today’s Russia to justify some government behaviour and manipulate citizens, obtaining their consent. This also occurs thanks to the role of a strong and persuasive leader such as the current President of the Russian Federation. In this work some of his speeches are analysed considering the following manipulative processes: presupposition violation, emotional language, metaphors and different types of fallacies. The analysis will allow us to define the features of a new image of the enemy which has emerged in post-soviet Russia.
Keywords: manipulation, propaganda, image of the enemy, fallacies, speech analysis
Nataliya Stoyanova (Università degli Studi di Milano) | La manipolazione nascosta nei segnali discorsivi ведь e же usati come attivatori di presupposizione
In this paper, we first of all clarify what is meant by manipulation from the point of view of linguistic theory, both in the Russian and in the Western traditions. Then we present some linguistic mechanisms that can convey manipulation, paying a particular attention to presupposition. Later we consider different presuppositional typologies and definitions, highlighting the function of the presupposition triggers. Finally, two Russian discourse markers, ведь and же, are analyzed through the National Russian Language Corpus (NKRJa), and a clear distinction between them is drawn, concerning their ability to convey the hidden manipulation.
Keywords: discourse markers, presupposition trigger, manipulation, Russian language, corpus analysis
Sarah Bigi (Università Cattolica del Sacro Cuore) | Parola corrotta e cura della parola: c’è scampo dalla dinamica manipolatoria?
Recently, frequent inappropriate uses of language in public discourse have been observed that remind of what the literature has often called ‘manipulation strategies’. Thus, scholars have started again di- scussing about what fosters the success of manipulation. This paper originates from the question about the possibility of identifying manipulation in the ‘here and now’ of interaction, and not only after its negative consequences have taken place. After a brief discussion of the literature on manipulation, the paper discusses the possibility of putting in place preventive and defensive strategies against manipula- tive intentions and uses of language.
Keywords: strategie manipolatorie, analisi del discorso, deliberazione
Nazarena Fazzari (Università Cattolica del Sacro Cuore) | La censura in Cina e il modello del Genitore Premuroso: analisi di un corpus
This paper analyzes the documents issued by Sarft (State Administration of Radio, Film and Television) on the management of content and language in the media in the Hu Jintao Era, in order to verify which family model of Chinese government is proposed according to Lakoff theory. We argue that the image proposed is the one of the Nurturant Father.
Keywords: Lakoff, censorship in China, political discourse, Nurturant Father, corpus linguistics
Chiara Piccinini (Università Cattolica del Sacro Cuore) | Le domande orientate e retoriche in cinese: strumento persuasivo o manipolatorio?
Rhetorical questions (fănwènjù 反问句) in Chinese language are used in communicative contexts to emphasize a sentence and convince an interlocutor of the speaker’s point of view.
Li and Thompson (1984) e Liu Yuehua et al. (2001), among other linguists, distinguish between yes/ no questions and rhetorical questions: the first are sentences occurring in a negative interrogative form (不是……吗? bú shì... ma? “isn’t it true that…?”) that underlie an utterance based on the common point of view of interlocutors, or that starts either from common knowledge or from an evidence; rhetorical questions, on the other way, are formed by interrogative pronouns and modal particles, such as 呢 ne 啊 a, occurring at the end of the utterance (i.e.: 他怎么知道呢? tā zěnme zhīdao ne? “How does he know that?”) and underlying an opposite semantic value to that expressed by interrogative pronouns, that emphasizes that value.
These interrogative sentences, both yes/no questions and rhetorical ones, are widely employed as rhetorical means of persuasion. In my contribution I would like to concentrate on the observation of some of these sentences as they occur in two corpora: one of them contains conversations registered in a class of Chinese language teaching to Italian learners and the second recorded in Taiwan, containing radio conversations on a subject of common interest (health, sports and curious facts).
I will determine if the questions observed in the two corpora show a manipulative use of the language.
Keywords: rhetorical questions, Chinese language, conversation analysis
Claudia Alborghetti (Università Cattolica del Sacro Cuore)| Rewriting Italian social issues in English translation: Renée Reggiani and her impact on children’s literature in the 1960s
Translators of children’s literature often resort to manipulative strategies to meet the standards of children’s publishing in the receiving culture. This paper analyses the rewriting of two of Renée Reggiani’s works that address living conditions in the south of Italy during the 1960s. It argues that her image as a writer who broached topics considered taboo for a young audience has been softened in translation that omits sections of the target texts.
Keywords: children’s literature, translation, Renée Reggiani, descriptive translation studies
Laura Anelli (Università Cattolica del Sacro Cuore) | Umorismo tabù, traduzione audiovisiva e manipolazione testuale: quale testo per il pubblico italiano?
The present article focuses on textual manipulation, especially ideological manipulation, detectable in the translation of taboo humour present in some audiovisual texts to make such texts more acceptable for the receiving audience. Through a descriptive approach, three American sitcoms have been analysed – namely Friends, Will & Grace and How I Met Your Mother – in order to identify cases of ideological manipulation in the translation of the taboo humour therein contained.
Keywords: audiovisual translation, dubbing, manipulation, ideology, taboo humour
Gloria Colombo (Università Cattolica del Sacro Cuore) | “Das Stück könnte auch ‘Sprechfolterung’ heißen”. La manipolazione linguistica nel Kaspar di Peter Handke e gli albori del teatro postdrammatico
Peter Handke’s Kaspar continues the Austrian reflection on the crisis of language, which finds an emblematic expression in Hugo von Hofmannsthal’s Der Brief des Lord Chandos, but from a new point of view: The crisis of language is presented not so much as a mere consequence, but as a main cause of the crisis of the individual. The article aims at highlighting the strong connection between Kaspar – defined by Handke as an example of “linguistic torture” – and the development of the postdramatic German speaking theatre.
Keywords: Peter Handke, Kaspar, Postdramatic Theatre, Language Torture
Silvia Gilardoni (Università Cattolica del Sacro Cuore) | Gestione del discorso e mediazione dei saperi in classe CLIL
In this paper we consider the role of the teacher in the mediation and transmission of knowledge in a foreign language in CLIL context (Content and Language Integrated Learning), analysing the teacher cognition regarding classroom discourse management and teaching communication. The research is based on the analysis of teachers’ meta-didactic reflections collected through a questionnaire about self-observation of classroom discourse, administered to teachers involved in CLIL teaching at high schools in Italy. The discussion of the survey results allowed, first of all, highlighting the recurring elements in the teacher’s awareness of the use of discourse and teaching strategies in CLIL classroom communication. Starting from the teachers’ reflections, we were then able to identify some relevant issues in the perspective of teacher training and action research within the framework of CLIL innovation in the Italian school system.
Keywords: Content and Language Integrated Learning, teacher cognition, classroom discourse
Piet van de Craen (Vrije Universiteit Brussel (VUB)) | CLIL and educational change. What CLIL teaches us about (language) learning
In Europe at all levels of education, especially in primary and early secondary education, the success of CLIL has been undeniable. It is argued that CLIL is such a powerful learning tool because implicit learning lies at the centre of its learning approach. Surprisingly enough, not too many linguists and educationalists have made this clear. This contribution examines implicit learning and considers its role in the CLIL approach. It is shown how implicit learning explains CLIL learning success and why it is important for scholars and practitioners to be aware of this.
Keywords: Language Learning, CLIL, Implicit learning
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In this Issue:
Antonella Luporini | Davide Astori | Luisa Villa | Alain Rabatel | Joseph Davis | Pier Francesco Fumagalli | Annalisa Federici
Antonella Luporini (Università degli Studi di Bologna) | Corpus-assisted Systemic Socio-Semantic Stylistics: Exploring ‘white’ and ‘red’ in Jean Rhys’ Wide Sargasso Sea
This contribution presents a corpus-assisted analysis of Wide Sargasso Sea, a postcolonial prequel to Jane Eyre. The study is part of a research project on the role of corpus linguistics in Hasan’s Systemic Socio-Semantic Stylistics (Hasan 1989). Combining quantitative findings and qualitative considerations, I focus on the Appraisal patterns (Martin – White 2005) involving white and red in Rhys’ text and examine their role in ‘symbolically articulating’ part of its deepest meaning (‘theme’).
Keywords: Corpus stylistics; Systemic Socio-Semantic Stylistics; Wide Sargasso Sea, Appraisal; white/red, other-ness.
Davide Astori (Università degli Studi di Parma) | Viaggi eterodossi fra esilio e fuga (alla ricerca di una patria inesistente) La provocazione esperantista di Teodoro Ŝvarc
Tivadar Soros, father of the more famous George, was the author of two autobiographical novels stemming from the dramatic experience of the war. Starting from the presentation of the two texts, this contribution illustrates and investigates his research – induced by the forced exile from his native land – for a new “virtual” homeland of universal peace and tolerance, inextricably linked to the Esperanto ideal of a common language for the whole mankind and to the reasons that led him to use it as a literary tool.
Keywords: Tivadar Soros, exile, war, name, esperanto.
Luisa Villa (Università degli Studi di Genova) | Mrs Felix Lorraine and Lady Caroline Lamb: Byronic Lore in Vivian Grey, Part I
Like many of his contemporaries, the young Disraeli was a Byromaniac, and his relationship with John Murray provided him with private information regarding the charismatic poet and those who had been acquainted with him. This essay focuses on the largely unexplored connection between the fictional Mrs Felix Lorraine and Lady Caroline Lamb in Vivian Grey, Part I. While highlighting a number of ‘Carolinish’ attributes and echoes, it tries to account for the relevance of Mrs Felix in the novel.
Keywords: Benjamin Disraeli, Lady Caroline Lamb, Vivian Grey; Byromania, roman à clef
Alain Rabatel, CNRS (Université Lumière Lyon 2, Ecole Normale Supérieure de Lyon) | Prophétie, fonction prophétique et témoignage prophétique
Ce texte examine l’hypothèse d’une fonction prophétique – spirituelle ou temporelle –, définie par ses fonctions d’annonce et de mise en garde ancrées dans une vérité, annonçant comme certaine, en dépit de son caractère inouï ou de sa forme obscure, cryptée, la survenue imminente (ou déjà amorcée) d’un évènement qui fait sens, non seulement parce qu’il est extraordinaire, mais encore parce qu’il pose d’emblée la question de l’action en vue de la survie individuelle et collective. En première analyse, la prophétie est différente du témoignage par ses procédures de certification, la nature immanente ou historique de la vérité. Cependant ces différences ne gagnent rien à être durcies, sous l’angle des actes de discours ainsi que du caractère d’obligation qui s’impose au prophète comme au témoin et à la communauté à laquelle ils s’adressent. Les rapprochements sont encore plus patents lorsque les évènements rapportés sont inouïs. L’article expose ensuite la difficulté de faire entendre des témoignages prophétiques relatifs à l’univers concentrationnaire en contrastant deux tentatives différentes de surmonter la contradiction. Si Primo Levi se voit contraint de crypter poétiquement certains témoignages, Geneviève de Gaulle Anthonioz, partage son témoignage par une démarche empathique qui reconstruit le cheminement de sa compréhension du phénomène concentrationnaire, dans l’espoir que cette ré-expérienciation imaginaire permettra aux destinataires de répondre à l’appel des témoins.
Keywords : Prophecy, prophetic function, prophetic witness, diviner, witness
A semiotic, discourse-based linguistic hypothesis that bypasses the syntactic category subject and proposes instead contrasting meanings for the pronouns lui and egli provides empirical support for the critical interpretation of the novel Il Gattopardo as being anti-teleological. The hypothesis, which applies to large body of twentieth-century Italian literature, is that egli but not lui bears a linguistic meaning that ties its relevance to a verb. This linguistic hypothesis reveals a significant difference in Tomasi di Lampedusa’s portrayals of the novel’s two characters Don Fabrizio and Don Calogero: one as a character defined by who he is, the other as a character defined by what he does.
Keywords: linguistics, Gattopardo, Lampedusa, pronoun, egli, lui
Pier Francesco Fumagalli (Veneranda Biblioteca Ambrosiana)| The Arabic manuscripts in the Ambrosiana Library: A treasure for the arts, philosophy, sciences and dialogue between civilizations
The article describes the revival of humanism in Milan during the Renaissance and at the Ambrosiana Library since the beginning of the XVII century, focusing on the new fundamental perspective and programme for the Oriental Studies and in particular on the collection of Arabic and Persian manuscripts of the Ambrosiana Library.
Keywords: Ambrosiana, Oriental studies, Arabic manuscripts, Persian manuscripts, Intercultural dialogue
Annalisa Federici (Università degli Studi della Tuscia) | “I must not settle into a figure”: French Portraits of Virginia Woolf in the Shadow of Proust and Joyce
This essay analyses two significant and often interrelated aspects of Virginia Woolf’s reception in France throughout the 1920s and 1930s: its being essentially mediated by the connections that Bloomsbury maintained with Paris, and the fact that it was overshadowed by the fame of Proust and Joyce, who occupied pride of place on the French intellectual scene. Such comparison significantly contributed to the delineation of Woolf’s public image abroad and seems to justify the author’s unease about the circulation of a stereotypical portrait of herself, which would hinder her personal investigation into the fictional form.
Keywords: Virginia Woolf, reception, France, Marcel Proust, James Joyce
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In questo numero:
Leonardo Buonomo | Raffaella Faggionato | Paola A. Nardi | Paola Spinozzi e Marisa Verna | Michela Gardini | Paola Spinozzi | Marisa Verna | Elena Raponi | Julie Crohas Commans | Anthony Ballas | Linda Levitt
Leonardo Buonomo | Beyond the Travelogue: Catharine Maria Sedgwick’s
Plea for Italy in Letters from Abroad to Kindred at Home
Catharine Maria Sedgwick (1789-1867) was arguably the most highly regarded American woman writer of the first half of the nineteenth century. Though deeply invested in the creation of a distinctively national literature, she was also remarkably cosmopolitan in her tastes and interests as testified by her 1841 travelogue Letters from Abroad to Kindred at Home. This article examines the ways in which Sedgwick, while taking her readers on a traditional guided tour of celebrated cities, also tried to make them aware of the effects of foreign occupation and despotism on contemporary Italy.
Keywords: Catharine Maria Sedgwick, Letters from Abroad to Kindred at Home, nineteenthcentury American travel writing, Italian art, Risorgimento
Raffaella Faggionato | Руссоизм и герметические науки в образах некоторых второстепенных героев Л. Н. Толстого
The paper explores the features of some minor characters taken from the works of Leo Tolstoy, all belonging to the lower classes. In previous studies these characters have been interpreted in the light of an ideal harmony inherited from Rousseau’s theories, however the genesis of such a figure as Platon Karataev, in War and Peace, reveals something different. These characters, who often catalyse the protagonists’ “epiphany”, are built on a Rousseauian philosophical background, merged with other lines of thought, namely those coming from the Hermetic tradition.
Keywords: Tolstojan minor characters, Tolstoj and the Hermetic tradition, Tolstoj and Rousseau’s theories, Genesis of Platon Karataev, The philosophical background of Tolstoj
The essay reads Morrison’s Paradise as a celebration of the birth of the United States, reinterpreting some of the founding myths of the United States from a different perspective, an African-American one. Morrison shows the dangers of a mythological construction of the past based on a single domineering perspective that silences possible parallel narrations. At the same time, he reveals the limits and the violence of a reading of the history of the New World in terms of Paradise or, according to the ideology of the Manifest Destiny, of the optimistic interpretation of the ‘conquest of the West’ and the triumphant founding mythology of the Pilgrims Fathers.
Keywords: Toni Morrison, Paradise, African-American Literature, American History, American Founding Myths
Edifici d’autore. Estetiche e ideologie nella narrazione dei monumenti
a cura di Paola Spinozzi e Marisa Verna
Michela Gardini | Il Tempio Malatestiano tra il sacro e il profano: lo sguardo di Joséphin Péladan e Henry de Montherlant
Malatesta Temple emerges from the works of Joséphin Péladan (1858-1915) and of Henry de Montherlant (1896-1972) as a mental place where the authors project their aesthetic ideal without quitting ideological over-determinations. The temple imagined and told, but never seen in reality, constitutes a kind of palimpsest prone to new writings and interpretations. In the image of Sigismondo Pandolfo Malatesta, who ordered its construction, it attracts Péladan and Montherlant exactly because they are both charmed by this character as a figure of excess and transgression against the mediocrity of their contemporaries. In their eyes Malatesta seems to summarize in himself the contrasts as well as the Temple contains, by harmonizing, the opposites: the sacred and the profane, paganism and Christianity, the human and the divine. Place of memory, it constitutes a cultural hybrid, emblem of that Renaissance artistic ideal by which both the French writers are inspired. But if Péladan’s celebration of the Renaissance Art finds in the Temple an ideal where each part is in harmony with the whole, Montherlant’s exaltation, instead, attains the aesthetics of fragmentation and of the incomplete by finding in the image of the Temple destroyed the most extreme ending, echo of those tragical bombardments which, between December 1943 and June 1944, hit the building. So this one rises to a polysemic object forming narrations which find in the knowledge combination (literature, philosophy, politics, history, art) its own essence.
Keywords: Malatesta Temple, Joséphin Péladan, Henry de Montherlant, cultural hybrid
Conceived by Sigismondo Pandolfo Malatesta in 1447, designed by Leon Battista Alberti, decorated by Agostino di Duccio, painted by Piero della Francesca, and left unfinished, the Tempio Malatestiano in Rimini exhibits distinctive marks of multiple intellects which have inspired tales, historical novels, poems, and essays. Writing (about) the Tempio between the second half to the nineteenth century and the present age, Jacob Burckhardt, John Addington Symonds, Charles Yriarte, E.M. Forster, Pasquale Villari, Edward Hutton, Ezra Pound, Aldous Huxley, and Adrian Stokes have generated a network of ekphrases across Europe. Diverse ekphrastic narratives reveal that the architectural building is a conceptual site which generates other conceptual sites, an incubator of aesthetic and ideological interpretations from different historical and cultural contexts.
The verbal renditions of the Tempio show how an architectural and conceptual building can host multiple aesthetic and ideological appropriations which allow us to define its historical role and reveal its characteristics as an intercultural and transnational catalyst.
Keywords: Tempio Malatestiano, ekphrasis, appropriation, aesthetics, British travellers
Marisa Verna | Sigismondo Malatesta, un criminale neoplatonico. Péladan lettore mistico
del Palazzo Malatestiano
This paper aims to tackle the ambiguity of Péladan’s interpretation of the Malatesta Temple of Rimini, the prestige of which is related for him to the faith in the Absolute of Art. In effect, in Példan’s novel Le Vice Suprême, Sigismondo becomes a hero for both his criminal reputation and his artistic prestige. Furthermore, in his theoretical work L’Art Idéaliste et Mystique, Péladan states that Sigismondo was devoted to the perfect religion of Beauty and was, therefore, pure. His Neoplatonic faith, as it is expressed in the artistic masterpieces of the Temple, makes him a priest of the only true Religion of Arts. This apparently linear stance veils in fact an ambivalent ideological attitude, that Péladan shares with the Decadent generation as a whole. Although conservative he was, the French writer was not aware of the consequences of some of his aesthetical statements, that inspired the far-right political movements of the early Twentieth Century’s Europe. The intrinsic ambivalence of ideological interpretation of monuments is, therefore, exemplarily represented by Péladan’s work.
Keywords: Sigismondo Malatesta, Tempio Malatestiano, Joséphin Péladan
Elena Raponi | Monumenti, nazionalismo e letteratura nella Germania bismarckiana
e guglielmina. Theodor Fontane e Felix Dahn
The paper analyzes the literary treatment of the monuments of Bismarckian and Wilhelmine Germany. This was a period in which the enthusiasm for the birth of the Second Reich and the need for moral as well as political unification of the nation led to a proliferation of monuments celebrating significant events and figures in German history. In particular, we examine the novel Effi Briest by Theodor Fontane (1819-1898) and the prose and poetry of Felix Dahn (1834- 1912), in which two types of monuments that were commonly found at the time are portrayed: on the one hand the official monuments of the Hohenzollerns, the expression of a dynastic and pro-government patriotism, and on the other hand the monuments created through spontaneous initiatives, like the many Bismarck Towers or the statues of Arminius, which reflected a radical nationalist patriotism that was ‘anti-establishment’. The paper examines the function and meaning of the two types of monument in the works of Dahn and Fontane and the differences in the attitudes of the two writers, without neglecting cases of ‘missing’ monuments such as the aborted project of a monument to Heinrich Heine.
Keywords: monuments and literature, literature and nationalism, Bismarckian and Wilhelmine Germany, Theodor Fontane, Felix Dahn
Le temple de Borobudur et le torii de Nagasaki sont parmi les innombrables édifices et monuments, célèbres, mythiques ou anonymes, qui illustrent la cartographie romanesque de Philippe Forest. De L’Enfant éternel (1997) à Crue (2016), un inlassable narrateur, père d’une enfant perdue, arpente le monde afin, une fois au pied du mur, d’accéder autrement à la réalité et à l’impossible. L’article recense et définit ces architectures narratives et l’épreuve, au sens multiple du terme, qui en résulte.
The Borobudur Temple and the torii of Nagasaki are among the numerous monuments and buildings that illustrate the cartography of Philippe Forest’s novels. From L’Enfant éternel (1997) to Crue (2016), a tireless narrator, father of a lost child, strides across the world, in order to reach the reality and the impossible by other means, once his back is against the wall. The article makes an inventory and defines the proof, in multiple senses of the term, resulting from this narrative architecture.
Keywords: Philippe Forest, narration, architecture, cartography, proof
This paper employs Mario Gooden’s diagnoses of African American museums, Henri Lefebvre’s critique of monumental architecture, and Henry Louis Gates Jr.’s notion of Signifyin(g) toward the examination of American rap artist Lupe Fiasco’s re-narrativization of architectural space, specifically the Lorraine Motel in Memphis, Tennessee where Martin Luther King Jr. was assassinated in 1968. The Lorraine Motel has since been transformed into the Civil Rights Museum, and poses an architectural and aesthetic problem according to Gooden, who is critical of the spatial strategies implemented at the site, using the museum as an example of what he refers to as the “problem with African American museums,” calling for a re-imagination of monumental spaces paying tribute to the Civil Rights movement and black identity. Fiasco’s lyrical constructions in his songs Brave Heart and Audubon Ballroom, refer generally to architectural space, and particularly to the Lorraine Motel, emphasizing the materiality of the signifier while modulating the meaning of these spaces through metaphor and chiasmus, which Gates Jr. identifies as the unique proclivity belonging to black vernacular. This paper concludes that Fiasco’s lyrical narrative of the Lorraine Motel demonstrates the potential of Signifyin(g) to modulate perception of the static architecture of the site which keeps black identity mired to the past.
Keywords: African American, Henri Lefebvre, Henry Louis Gates Jr., Hip Hop, Mario Gooden
This essay is intended as a conversation: the voices of those who created the Vietnam Veterans Memorial have a story to tell. If language creates reality rather than representing it, then this is an etymological tracing of the Memorial. The Vietnam Veterans Memorial remains a discursive site, where visitors leave remembrances and tell their stories. The many voices and many stories reflect the polysemic nature of the Memorial, as the desire to be inclusive is essential to its design.
Keywords: Vietnam Veterans Memorial, Maya Lin, Jan Scruggs, commemoration
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In this issue:
Nataliya Stoyanova | Miriam Ravetto | Ettore Marchetti | Afsaneh Pourmazaheri | Giulio Segato | Gloria Colombo | Renata Zanin | Claudio Macagno | Giuseppe Ghini | Мауриция Калузио | Галина Жиличева
Nataliya Stoyanoya | Struttura del discorso negli apprendenti italofoni di russo: analisi testuale comparata russo-italiano
This article presents the results of a discourse analysis of Russian-learning texts by italophones. The discourse structure was examined from the point of view of the preferences for discourse relations on various acquisitional stages and from the point of view of hierarchization. Furthermore the grade of repartition of situations and the grade of the discourse structures complexity were analysed, allowing us thus to characterize the textuality of the considered acquisitional varieties compared to the native Russian and Italian.
Keywords: discourse analysis, Russian language, compared textuality, acquisitional varieties, linguospecific patterns
Miriam Ravetto | «Come si dice?» / «Wie heisst das?» – Strategie di ricerca lessicale in visite guidate con italiano e tedesco L2
The paper investigates word search sequences in a corpus of guided tours, in which tourist guides speak Italian and German as foreign languages. Italian and German are, on the contrary, the native languages of the group of tourists. Using the approach of Conversation Analysis, the study describes and classifies the word search dynamics and strategies, through which tourist guides try to find the problematic word.
Keywords: word search, Conversation Analysis, touristic communication, interactional linguistics.
Ettore Marchetti | “Boia imperialisti, spie di regime e corrotti buffoni”. La lingua dei comunicati delle brigate rosse durante il Sequestro Moro
On March 16th 1978, Italy goes through one of the worst pages in its history, when the Brigate Rosse (Red Brigades), the armed party, kidnap the politician Aldo Moro and brutally kill five bodyguards; the BR thus begin their swan song. During the fifty-five days of imprisonment of the president of the DC (Christian Democratic Party), the terrorists elaborate and issue nine statements in which they illustrate the motivations and strategies of both the kidnapping and the armed struggle. It is definitely one of the events that has most impressed the public opinion since the second postwar, and that a large bibliography keeps examining. However, one aspect has always remained less explored than others: the linguistic one. Through a syntactic, morphological, and lexical analysis this article gives an account of the salient features of the statements, including the rhetorical devices and the communication strategies used by the authors. The linguistic observation highlights the complexity of the nine texts, and the opportunity to consider them as a coherent corpus of writings that share common traits which, although they do not constitute a technical language, still define a peculiar way to communicate of a specific terrorist group. The present work is inspired by a general enthusiasm of the recent Italian studies for the Seventies and for the so called ‘Years of Lead’, and is meant to suggest a particular attention to the role of language in the study of terrorism and of political violence of that period.
Keywords: Red Brigades, statements, semantic fields, expressivity, lexical and syntactic complexity
Ce travail de recherche s’interroge sur la représentation discursive des référents exotiques filtrée par un regard stéréotypé dans les récits de trois voyageurs français en Orient de la première moitié du XIXe siècle. Les énonciateurs-voyageurs, placés dans un contexte linguistique et culturel asymétrique, tentent de saisir et de transcrire leurs observations sur le terrain étranger en fonction de leur intellect, de leur cognition et de leur expérience. Une série d’éléments marqués par l’altérité viennent modifier la représentation que l’auteur-voyageur donne du référent et de l’univers référentiel auquel il est confronté. C’est à cette façon « réductrice » de voir les référents issus d’un univers différent et à l’intervention de la subjectivité de l’auteur que nous nous intéressons dans cette étude. Nous analysons les effets discursifs produits par l’usage des ressources linguistiques ainsi que par les positionnements énonciatifs des auteurs-voyageurs. Cette approche homogénéisante et généralisante de la perception de l’Autre se fait au travers des moules préconstruits et une démarche subjective dans la culture réceptrice que nous tenterons de voir à l’aide des outils d’analyse langagiers et discursifs dans les récits de voyage de Goupil Fesquet (1844), de Rémy Aucher-Eloy (1843) et de J.M. Tancoigne (1819) en Orient, notamment en Perse.
Keywords: stereotypy, alterity, travel literature, ethnotype, representation
With the exception of No Country for Old Men, the Vietnam War has never appeared openly in Cormac McCarthy’s novels, but it has nevertheless left a deep trace on his early work (Child of God, Suttree, and Blood Meridian). Blood Meridian in particular shows, despite his western setting, an imaginary influenced by the military-political experience of Vietnam. A few scenes in the book in fact read more like a war novel rather than a western, and the connection is even deeper than that. The Vietnam novels typically have some concerns – such as the chaotic descriptions of the battle, the explosion of meaningless violence often perpetrated by friendly fire, and the guerrilla warfare – which are to be found at their best in Blood Meridian. My essay discusses these issues through a comparison with a western movie often associated with the Vietnam War: Sam Peckinpah’s The Wild Bunch.
Keywords: Cormac McCarthy, Blood Meridian, Vietnam War, The Wild Bunch, Western, war novel
Gloria Colombo | Wie wenn sich eine einzige hohe aber starke stimme bilde: lingua e stile nel romanzo das scHLOSS di Franz Kafka
While writing Das Schloß (1922), Kafka not only tried to eliminate the most typical elements of Southern German, Viennese German, Czech and Yiddish in order to draw near to the elegance of Classicism, but also shaped the narrative style on the basis of Biblical Hebrew. The accent placed by the latter on parataxis and repetition led him to create a sort of acoustic hallucination, which – as well as the influence of Biblical Hebrew on the novel – has so far been ignored by Kafka scholars.
Keywords: Franz Kafka, The Castle, Prager Deutsch, Hebrew Bible, acoustic hallucination
Elfriede Gerstl can be truly considered a ‘minor’ Austrian poet who spent a lifelong search for her own literary voice at the margins of the turmoil of the literary avant-garde in postwar Vienna. Existential insecurity, irony and a superb command of the German language come together with a highly emotional way of speaking. Elfriede Gerstl’s poems and the recordings of her poems can be successfully used in teaching pronunciation and intonation to Italian learners of German.
Keywords: pattern and culture, prosody, idiomatic and prosodic coinage, poetry in language classes
In Darya Dontsova’s detective novels the categories of terrible and tragic do not play a significant role but, on the contrary, are deliberately attenuated through the deployment of a number of different strategies that make it impossible to read these novels “без улыбки на лице” [without a smile on one’s face].
Starting from the fundamental works of Bergson (Le rire), Freud (Der Humor) and Pirandello (L’umorismo) and from a series of theoretical concepts accounting for the workings of humour, this paper analyses the various devices employed by Dontsova, the undisputed “queen of the ironic detective story”, to create comic effects.
Keywords: Darya Dontsova, detective story, humour, irony, Humor Studies.
Giuseppe Ghini | “L’eterna influenza francese” Classici russi per il tramite del francese all’alba del Terzo millennio
he article deals with a bad practice introduced anew in Italian publishing: translations from Russian through intermediate French versions. Three Italian translations – The trial of Brodsky, a Chekhov’s and a Grossman’s short story – are shown to be dependent from French versions, then causes and consequences of their lexical and stylistic detachment from the original text are analyzed, a detachment inescapable in second-hand translations, on principle alien to a philological approach.
Keywords: Second hand translations, The trial of Joseph Brodsky, The story of an unknown man, In the main line of attack
Мауриция Калузио | Василий Гроссман. и первый опыт художественного исследования Гулага (О повести Все течет…)
It is difficult to determine which genre Vasily Grossman’s last work Everything flows (1955-1963) belongs to. In the last decades of the XX century, literary critics noticed how this work completely lacks a plot and a fabula. Some researchers have even refused to call this text a ‘literary work’. In this article, an attempt has been made to show how Grossman, when talking about themes that were still inaccessible for that time (the system of labour camps, Holodomor and so on), created a completely new and audacious way of narrating. Grossman’s apparent contemptuous approach to the rules of narration in Everything flows is actually generated by the need to tell without lies the indescribable and ineffable human journey in the camps. In this article, we analyze the motifs of travel and dream, as well as the figure of preterition, which Grossman uses to express his dissent from the falsity of socialist realism.
Keywords: Vasily Grossman, Everything flows, Gulag literature, Russian literature
Галина Жиличева | “Ясность” и “связность” как смысловые доминанты нарратива В. Гроссмана (“За правое дело”, “Жизнь и судьба”)
This paper deals with the dominant ideas of the narrative structure of Vasily Grossman’s novels. The semantic fields of the concepts of ‘clearness’ (‘yasnost’’) and ‘connectedness’ (‘svyaznost’’) are being analyzed. In Grossman’s dilogy, these concepts are being regarded as the signs of the plot situation of ‘revelation’.
This article suggests that the words “yasnyi” (clear, serene, obvious), “prozrachnyi” (transparent), “svet” (light), “svyaz’” (bond, link, connection), “nit’” (thread) and their cognates can be described as overdetermined signs due to their frequent usage in Grossman’s dilogy. Such signs are related to the basic metaphors of European literature (the correlation of world, text and fabric; metaphors of vision) and, therefore, they are the crucial parts of Grossman’s dialogue with previous literature tradition. The usage of the concepts of ‘clearness’ and ‘connectedness’ emphasizes the sophisticated interaction between the two parts of the communicative structure of the novels – between the discourse of ‘revelation’ and the discourse of ‘agitation’. Moreover, those concepts can also bear a metanarrative significance. Grossman’s narrative manifests the urge of the ultimate ‘connectedness’ and ‘clearness’ while showing the ‘invisible’ threads and ‘clear’ truth.
Keywords: Grossman, narrative, repetition, discourse strategy
In questo numero:
Luisa Camaiora | Federico Bellini | Laila Paracchini | Carla Vergaro | Michela Murano | Sibilla Cantarini e Gaston Gross | Marco Budassi | Rebecca Schar | Nazarena Fazzari
L’articolo analizza la presenza dell’aspetto economico nel Romeo and Juliet di Shakespeare, esaminando alcune tematiche quali il denaro e la ricchezza, la proprietà e le procedure legali, i contratti e l’eredità, il mercantilismo e la navigazione, il significato e la rilevanza dell’oro. L’aspetto monetario è ritenuto contribuire alla creazione di un’intelaiatura di stime esplicite o implicite che riguardano il concetto di valore e sono funzionali al mantenimento di una consapevolezza valutativa.
Keywords: Shakespeare, Romeo and Juliet, money, economic motifs
Federico Bellini | Charity, Melancholy, and the Protestant Ethic in Herman Melville’s Bartleby and Cock-A-Doodle-Doo!
Relying on Max Weber’s and Colin Campbell’s description of the Spirit of Capitalism, I plan to interpret the narrators of Melville’s Bartleby and Cock-A-Doodle-Doo! as embodying two complementary aspects of the same ethical attitude informing such spirit. This is characterized by the oscillation between sentimentalism and individualism, charity and egoism, idealism and pragmatism, which Melville detected in the everyman of his time. In particular, I will focus on the references to the theological debate on free will and to the theme of melancholy as pivotal elements to comprehend Melville’s insight. Finally, I will show how Merrymusk and Bartleby, the two other main characters of the stories, may be seen as representing Melville’s attempt to question the American society of his time.
Keywords: Herman Melville, Bartleby, melancholy, charity, protestant ethic
Il presente lavoro offre una mappatura relativa allo sviluppo degli studi di Internet Linguistics in Russia negli ultimi quindici anni. Grazie all’analisi di molti materiali esistenti, il contributo descrive le principali linee di ricerca verso cui, in ambito russo, si è orientata l’indagine sul rapporto tra la diffusione di Internet e il manifestarsi di nuove forme d’uso della lingua.
Keywords: Russian language of Internet, Internet linguistics in Russia, Russian lexicon of the Internet, Russian net-discourse, virtual genres in Runet
Nelle analisi del Modell of Christian Charity, il sermone che John Winthrop pronunciò nel 1630, molto è stato detto relativamente al contesto storico-culturale alla base della produzione del testo. L’analisi proposta in questo saggio si concentra fondamentalmente sul testo, partendo dal presupposto che la sua essenza possa essere analizzata investigando ciò che, in prospettiva azionale, il testo ‘fa’ in uno specifico dominio del discorso. L’approccio utilizzato è dunque pragmatico e basato sulla teoria degli atti linguistici. Esso prende in considerazione il contesto, sia nella dimensione oggettiva che cognitiva, ed esplora in che modo il testo del Modell svolga la sua funzione in un determinato ambito discorsivo. L’analisi considera tre livelli illocutori: il livello degli atti linguistici, la combinazione degli atti linguistici in unità superiori che chiamiamo funzioni testuali, e la combinazione di queste funzioni testuali in un determinato profilo funzionale. Particolare attenzione viene data al livello intermedio delle funzioni testuali poiché esse, in particolare, mettono in luce le caratteristiche distintive del testo quale esemplare di un particolare genere. L’analisi è finalizzata a mostrare il modo in cui Winthrop crea i motivi per una azione collettiva attraverso l’uso magistrale del profilo funzionale del genere sermone, combinato con l’uso, altrettanto magistrale, della polisemia lessicale. Il risultato è un testo in cui tout se tient, e che è unanimemente considerato uno dei testi fondativi della letteratura e della cultura americana.
Keywords: Winthrop, sermon, illocutionary levels, text functions
Objets culturels, les dictionnaires sont le produit de la période qui les fait naìtre : « Alors mème qu’ils semblent destinés à fixer les savoirs, ils ne sont en vérité, à l’échelle du temps, que des ins- tantanés » (Pruvost, 2006). Lenregistrement de mots nouveaux et l’évolution de leur traitement dans les dictionnaires généraux représentent donc le reflet de l’émergence de nouvelles réalités et de leurs changements au sein d’une société. Dans notre communication, nous nous proposons de retracer la présence évidente et en filigrane des mots écologie et environnement, ainsi que de leurs dérivés et des composés avec éco-, dans cinq éditions du Petit Robert (1ère éd. 1967) qui s’étalent sur plus de 40 ans. Le relevé des entrées au niveau de la macrostructure sera suivi de l’analyse de l’évolution de quelques articles (éco-, écolo, écologie and environnement) ; enfin, nous évaluerons l’affirmation progressive de la marque de domaine écol.
Keywords: monolingual lexicography, French lexicography (20th century), ecology, environment, derivational field
Sibilla Cantarini e Gaston Gross | Forme di espressione della causalità nel confronto francese-tedesco
Il presente contributo è uno studio tipologico delle forme di espressione della causa in francese e tedesco. Si descrivono molteplici mezzi linguistici che attualizzano la causalità. In modo particolare, sono prese in esame la causa a effetto e la causa esplicativa, di cui si descrivono caratteristiche sintattiche e semantiche. La disamina riguarda diversi tipi di meccanismi alle base della causalità, nella fattispecie la metafora, l’inferenza e l’enunciazione. Si osserva quindi che la causalità non è riconducibile nelle lingue considerate ad una definizione unica.
Keywords: cause to effect, explicative cause, metaphor, inference, utterance
Cifra caratteristica dell’italiano neo-standard sono tratti linguistici una volta appartenenti al sub-standard, come il ‘che’ polivalente. In questo lavoro mi sono occupato di valutare se sia possibile o meno rintracciare il ‘che’ polivalente in un corpus annotato solamente per part of speech. Dai dati emerge come le sotto-tipologie di ‘che’ polivalente di tipo ‘giustappositivo’ siano estraibili dal corpus tramite query, mentre le sotto-tipologie di tipo ‘restrittivo’ non lo siano.
Keywords: corpus linguistics, POS-tagging, polyvalent use of che, neo-standard Italian, syntax
Based on the debate on children’s ability to produce argumentative discourse in different educational settings, this paper provides further support for the fact that small children are able to support their opinions with arguments. In particular, the paper makes a case in point on children’s appeal to definitional loci, when supporting their standpoints. The analysis of their reasoning’s implicit components shows how children apply different definitional arguments.
Keywords: adult-children interaction, argumentation, definition, small children’s speech
Nazarena Fazzari | Tra stabilità sociale e pornografia: giochi di parole sovversivi e armonizzazione su Internet nell’era Hu Jintao
The purpose of this paper is to analyze the policies adopted by the government of Hu Jintao (2002-2012) about the Internet. Such laws have been partially translated into Italian. Their aim alternates between the fight against pornography and the protection of social stability. The ‘digital resistance’ attempts to evade censorship through homophony, e.g. through the Baidu ten mythical creatures, the most famous being Caonima.
Keywords: Internet in China, digital resistance, harmonious society, caonima, censorship
In questo numero:
Elisa Bolchi | Paola Nardi | Erica Maggioni | Elisa Ramazzina | Laura Bignotti | Davide Vago | Federica Locatelli | Vittoria Prencipe | Franco Lonati | Daniela Fargione | Francesco Toniolo | Caterina Allais | Costanza Cucchi | Sonia Piotti | Nataly Botero
Si presenta qui un’intensa pagina di prosa letteraria tratta da La Montagne de la dernière chance, nella quale lo scrittore André Bucher descrive un rude paesaggio alpino, i cui elementi naturali (rocce, crepacci, acque e piante) sembrano animarsi, emanare grida allarmate, assumere compor¬tamenti non dissimili da quelli dell’uomo. Il vitalismo che anima la terra, anche nel senso delle urla che essa emette nei confronti della specie che oggi più che mai sembra minacciarla – quella umana – ci pare un’introduzione, sintetica e unitaria, ai temi che sono affrontati in questo nu¬mero monografico della Rivista, che porta il titolo Ecocritica ed ecodiscorso. Nuove reciprocità tra umanità e Pianeta. Questo testo ci è stato gentilmente concesso dall’Autore, che ringraziamo sentitamente.
Prendendo spunto da un passo del Sistema periodico in cui Levi definisce Dio un “maestro di polimerizzazioni” che non ama le sostanze “troppo incorruttibili”, questo saggio discute il tema della responsabilità ambientale e della trascendenza in relazione all’ecologia. In particolare, ci si sofferma sul pensiero di H. Jonas e sul legame che connette l’idea di responsabilità ambientale in Das Prinzip Verantwortung (1979) al pensiero dell’impotenza di Dio in Der Gottesbegriff nach Auschwitz (1987). Il saggio si conclude considerando le implicazioni di questi concetti per le en¬vironmental humanities, in connessione con i discorsi sulla giustizia ambientale (la slow violence di R. Nixon) e le nuove ontologie degli iper-oggetti (la object-oriented-ontology di Morton). Idea fondamentale è che la letteratura, specie quando ci parla della materialità e del nostro rapporto con il non umano, è una voce importante nell’orizzonte immanente/trascendente del nostro essere ambientale.
Keywords: Environmental humanities, ethics, ecology, transcendence, Hans Jonas, Primo Levi
The three main settings of McEwan’s Solar, a novel described as “the first great global-warming novel” (Walsh 2010) are significant: from London, to the Artic Pole, up to the desert in New Mexico, these places are all described through the interior monologue of the anti-hero Michael Beard, a character allegorical of humanity’s greed for selfish over-consumption. As Beard moves in the real environment only through the non-places of supermodernity (Augé), the paper ana¬lyses the descriptions of settings to underline how McEwan uses them to write about climate- change in a new “novelistic” way (McEwan).
Keywords: Ian McEwan, ecocriticism, Solar, places, environment
Paola A. Nardi, “Direction? … There was no direction. The prairie stretched to the end of the world”. American Land and the Pioneer Woman
Black Soil, a novel written by an Irish pioneer woman, tells about her arrival and settlement in the Iowa prairies in the second half of the 19th century. The goal of my essay is to investigate the strategies the immigrant woman Nell Connor adopts to survive on the American frontier.
Keywords: American West, the frontier, the Pioneer Woman, space, place, ecocriticism
Erica Maggioni, “Earth! have they gone into you?”
An Ecocritical Reading of the Relationship Between Man, Nature and War in Isaac Rosenberg’s Poems
This paper considers some of the poems written by the English soldier-poet Isaac Rosenberg during the First World War in order to show his ecological awareness in the depiction of and reflection upon the devastating effects of warfare on the environment and on the man-nature relationship. By adopting an ecocritical perspective, his works will be studied in relation to con¬cepts of space and place, the peculiar features of the war zone, and the elaboration of the pastoral tradition. In conclusion, it will be suggested that the destruction of nature serves as a metaphor for the physical and psychological suffering of men.
Keywords: Isaac Rosenberg, First World War, ecocriticism, nature, earth
The purpose of this paper is to study the relationship between man and landscape in Old Eng¬lish literature starting from the assumption that, during the Middle Ages, landscape was not merely a physical space, but it was rather a complex dimension involving religious and moral aspects. Examples from poetic and prose texts will show how the natural world was usually hos¬tile and inhospitable. Mappae mundi will help determine how the Anglo-Saxons considered themselves in relation to the environment.
Keywords: Old English literature, landscape, mappae mundi, monsters, ecocriticism
Études animales littéraires fondées sur un socle interdisciplinaire originai, la zoopoétique per- met non seulement d’aborder l’animalité humaine, mais aussi d’interroger la possibilité pour le langage créatif d’exprimer des affects et des rapports non-humains au monde. Cette thèse, moins paradoxale qu’il n’y paraìt, conduit à envisager la littérature comme art du déplacement et du décentrement. Après avoir resitué la zoopoétique frammise dans l’histoire de l’Ecocriticism et des Animal Studies anglo-saxonnes, la contribution montrera qu’une poétique du vivant est une affaire de perspectives, de tempos et de formes. La conclusion évoquera la dimension politique d’une zoopoétique qui est toujours, aussi, une zoopoéthique.
Keywords : animal studies, anthropocentrism, ecocriticism, zoopoetics
Revenant sur les enjeux esquissés dans Ce qui a lieu : essai d’écopoétique (2015), cette contribu¬tion interroge la manière dont la littérature contemporaine fait une place aux enjeux environne- mentaux. Elle esquisse comment la recherche universitaire peut embrayer sur cette actualité en continuant à faire une place centrale aux enjeux esthétiques, à coté des enjeux éthiques. L’imagi- naire littéraire sera un levier d’autant plus puissant dans la prise de conscience environnementale qu’il sera porté par une forme exigeante, et qui prend le risque de l’expérimentation.
Keywords : environment, écopoétique, ecocriticism, contemporary French literature
The purpose of this paper is to study the relationship between man and landscape in Old Eng¬lish literature starting from the assumption that, during the Middle Ages, landscape was not merely a physical space, but it was rather a complex dimension involving religious and moral aspects. Examples from poetic and prose texts will show how the natural world was usually hostile and inhospitable. Mappae mundi will help determine how the Anglo-Saxons considered themselves in relation to the environment.
Keywords: Old English literature, landscape, mappae mundi, monsters, ecocriticism
Laura Bignotti, Barthold H. Brockes: ein aufklärerischer Umweltschützer? Die poetische
Wiederentdeckung der Schöpfung im Irdischen Vergnügen in Gott
Barthold H. Brockes’ poetry collection Irdisches Vergnugen in Gott (1721-1748) proposes a joy¬ful celebration of every element of Creation. Influenced by the English physico-theology, this work contributed to spread a new, positive perception of immanent reality, no longer condi¬tioned by baroque pessimism. If considered in an ecocritical perspective, these poems can be extremely relevant even today: the deep and reverent admiration for nature they express, orig¬inally geared towards the celebration of God, has the potential to point today’s readers to an empathetic and responsible relationship with nature.
Keywords: Barthold H. Brockes, nature poetry, physicotheology, ecocriticism, Irdisches Vergnugen in Gott
Certaines stratégies langagières mises en reuvre par André Bucher sont aptes à suggérer la per- méabilité du réel, vu que l’homme, l’animal et les forces naturelles sont des actants interdépen- dants dans sa fiction. Des configurations de style tentent de suggérer les enjeux de cette interver¬sion environnementale : la personnification des éléments naturels à l’aide de métaphores filées ou de la catachrèse tente de restituteur un vocabulaire propre à l’animal. Néanmoins, en estompant un lyrisme excessif, Bucher insiste sur le fait que le plan de l’homme est incommensurable à celui de la nature.
Keywords: André Bucher, porosity, stylistic structure, catachresis, plan of nature
« Dirons-nous que le monde est devenu pour moi inhabitable ? Est-ce que le monde va finir ? » : telle était la crainte de Charles Baudelaire, dont témoignent ses journaux intimes. Michel Deguy, poète, philosophe et critique, se pose des questions similaires dans ses essais parus aux éditions Hermann entre 2009 et 2012, Fin dans le monde et Ècologiques. Cest surtout ce dernier ouvrage qui fait l’objet de lentretien que nous proposons et de l’analyse qui suit: nous montrerons ainsi comment le discours poétique et les logies de l’oikos se relient par une similarité profonde : prenant les choses « radicalement », c’est-à-dire à la racine, ils nous aident à comprendre et à perpétuer notre « habitacle transitoire ».
Keywords: Michel Deguy, ecology, logos, world, dwelling
Vittoria Prencipe, La natura impervia come strada verso la virtù. La figura di Catone
nel IX libro del Bellum civile
La relazione tra uomo e natura è indagata da svariati punti di vista, oggi come nell’antichità, come si evince dalla breve riflessione sul tema riportata nel primo paragrafo del saggio, che sarà incentrato, per il resto, su una sola delle visioni emerse nella letteratura e nella filosofia greca e latina antica.
Keywords: Ancient literature, role of nature, Cato, concept of virtue
Percy Bysshe Shelley è stata forse la prima celebrità vegetariana dell’età moderna e certamente uno dei primi autori che ha affrontato, con la forza della sua erudizione e la passione della sua retorica, il tema della dieta naturale, non solo illustrandone i presunti benefici fisici, ma anche fornendo una giustificazione filosofica, e rivendicando l’importanza etica, di una scelta radicale. Shelley è diven¬tato, non a caso, una sorta di nume tutelare e di ideologo di riferimento dei movimenti vegetariani e vegani che negli ultimi anni hanno conquistato sempre più adepti, e citazioni tratte dalle sue opere compaiono immancabilmente sui più popolari siti specializzati. L’articolo considera le radici e lo sviluppo del vegetarianesimo di Shelley attraverso l’analisi di Queen Mab e delle note all’opera poi pubblicate col titolo A Vindication ofNaturalDiet (1813), per riflettere sull’attualità delle teorie di un poeta/filosofo sorprendentemente in anticipo sui tempi.
Keywords: diet, nature, Shelley, vegetarianism, veganism
Return to the Aeolian Islands (Fughe e approdi, 2010) chronicles director Giovanna Taviani’s journey to the Aeolian Islands, a volcanic archipelago off the coast of Sicily and setting for a host of films. Return documents the islands’ geological past in a study of ecological, and not just cinematic history. This essay begins to unravel the threads of a magmatic Aeolian landscape where volcanoes, cinema, and memory collaborate in the creation of more-than-human stories.
Keywords: Italian cinema, ecocriticism, volcanoes, Aeolian Islands, Giovanna Taviani, posthumanism
Daniela Fargione, The Rhetoric of Seduction, the Aesthetics of Waste, and Ecopornography in Edward Burtynsky’s Shipbreaking
This article analyzes Edward Burtynsky’s Shipbreaking (2009), a controversial photographic project that inquires into the representation of environmental corruption and economic ex¬ploitation faced by disenfranchised communities. The controversy depends on the incongruity between the aesthetization of the gritty subject matter the photographs exhibit (the waste of the world and human waste) and the artist’s stylistic strategy, which may improperly be seen as an example of ecopornography.
Keywords: ecocriticism, environmental justice, aesthetics ofwaste, ecopornography, Edward Burtynsky
Francesco Toniolo, Natura di guerra. Possibilità ecocritiche sullo sfondo dei videogiochi strategici
Una possibile lettura ecocritica di tre videogiochi strategici in tempo reale, ambientati in con¬testi differenti (uno storico, uno fantasy e uno fantascientifico), per individuare, sullo sfondo di un genere dominato dall’ideologia dello scontro bellico, un rapporto del videogiocatore e delle civiltà in gioco con l’ambiente.
Keywords: videogames, environment, RTS, ecocriticism, war games
A recent international project, Investigating Interdisciplinary Research Discourse, carried out at the Centre for Corpus Research (University of Birmingham) investigates the entire holdings of the journal Global Environmental Change as a model of interdisciplinary discourse (http://paulslals. org.uk/IDRD/). Another international research project carried out by the University ofLeicester and by two Norwegian research centres (University of Bergen and Uni research) regards the repre¬sentations of the future in English language blogs on climate changes. But what lexical features are employed as regards the new and increasingly widespread ecological sensibility? Do they carry a positive or a negative connotation? This question will be answered through an exploratory lexical analysis carried out on Scienceblog, a recent corpus of 103,175,233 words not yet investigated, which comprises a selection of posts and comments from the scienceblogs.com website, published from 2006 to 2014, now available on the online query system SketchEngine.
Keywords: corpus linguistics, ScienceBlog, Sketchengine, environment, lexical analysis
Due to increased awareness of ecological and environmental issues and greater integrity by the fashion industry, the terms ‘ecofashion’, ‘ethical fashion’ and ‘sustainable fashion’ have recently been gaining popularity to refer to garments which are designed and manufactured supporting ethnic communities and without harming the environment. New terms, such as ‘environmental’, ‘green’, ‘ecological’, ‘eco-friendly’, ‘sustainable’, ‘recycled’ and ‘organic’ have been used to qualify both garments and production practices, to the point that Hanlon (2009) observed that the potential creativity of language in the field of sustainable fashion “is never-ending”.
However, fashion experts as well as fashion scholars pointed out that the exact meaning of the terms related to the ecofashion movement is not always clear. This study aims to explore the lex¬icon of eco fashion from a purely linguistic perspective. Results support with linguistic evidence the claims regarding the cross-fertilisation of the terms related to the ecofashion movement and, in some cases, their lack of clarity.
Keywords: ecofashion lexicon, sustainable fashion, English lexicology, English lexicography
Nataly Botero, Strategies argumentatives dans la presse ecologiste fran^aise : métaphores, jeux de mots et détournements
Nous proposons d’analyser la médiatisation en France des enjeux environnementaux à travers la presse écologiste. Ces publications se caractérisent par des formulations nourries d’images dis- cursives, de métaphores et de métonymies, de détournements, dexploitation d’implicites et de jeux de mots qu’il s’agit d’étudier non seulement sur le plan des effets de style mais comme une véritable stratégie argumentative mise en place par ce type de presse.
Keywords : French ecological media, discourse analysis, metaphors, argumentation
In 2016 the Journal “L’Analisi Linguistica e Letteraria” is publishing a special issue titled: Ecospeak and Ecocriticism: What Reciprocity Between Humanity and the Planet?
Since the end of last century our Planet Heart has become the object of an attention aimed at awakening environmental awareness. “Being” means today “being in a place” and the word ‘place’, as opposed to the more abstract ‘space’, has become an essential concept to rethink our way to inhabit the Planet. In this sense, Yi-Fu Tuan affirms that places are “centers of felt value”, because humans can develop a place-attachment but not a space-attachment, this last being a geometrical or topographical abstraction without sentimental bonds.
One of the theories exploring these matters is Ecocriticism, born with the “intent to include the environmental question in literary criticism, as it had already been done for civil rights and for the feminist and postcolonial question” (S. Iovino). Which points of view can then spread from such a perspective, not only on literary matters but inside a wider analysis taking into consideration the so called Ecospeak? How does communication treat the relationship humanity/nature? We invite to present contributions answering, from a synchronic and diachronic point of view, one or more of the following questions:
- How does the Ecological question and consciousness modify the narration, both at discourse and contents level?
- How do different literary traditions relate to the concept of Ecocriticism?
- Is Ecocriticism compatible with the Christian conception of the creation?
- Which argumentative strategies are used in ecocritical discourse and how are they transposed from one cultural field to another through translation?
- Which communicative manipulations are put to use with respect to the new and increasingly widespread ecological sensibility?
- How does the ecological crisis and the modern ecological awareness intervene in the relationship of humans with the place where they live?
We believe this last perspective to be particularly interesting to be explored in the year when EXPO 2015, titled Nutrire il Pianeta, Energia per la Vita, takes place in Milan. Moreover, the theme of sustainability, of intelligent and responsible growth, of attention to the Planet, to climate changes, to resources and raw materials are among the key points of Horizon 2020.
We invite submissions related, but not limited to, any of the aforementioned issues.
Deadline for submissions : 22 November 2015.
Papers, no longer than 20.000 characters with spaces, must be submitted online through the journal website: http://www.analisilinguisticaeletteraria.eu/?page_id=757 and must follow the journal stylesheet.
Authors will be notified of acceptance/rejection by April 2016.